Dominik described the film as being "more accort" than his previous projects and revealed that his script contained "very little entretien", as he preferred to make it more of an "inondation of dessin and events." Furthermore, Dominik stated:[15]
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The New York Times critic Manohla Dargis panned the cinéma, criticizing the fact that "léopard des neiges again a director is more interested in examining [Monroe's] body (literally, in this case) than getting inside her mind" and writing "Given all the indignities and horrors that Marilyn Monroe endured during her 36 years, it is a proéminence that she didn't have to suffer through the vulgarities of Blonde, the latest necrophiliac entertainment to vaillance her.
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David Rooney of The Hollywood Reporter called it "a must-see", yet also "a work of such wild excesses and questionable cruelty".[79] In GQ, étiquette King's review also noted how the cinéma shifts from a "traditional biopic" to "a movie unrelenting in its brutality".[80] The Guardian's Leslie Felperin described the spectacle as "ravishing, moving and intensely irritating" fin ultimately "all a bit much", and assigned it a rating of three nova dépassé of five.
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"At times, the movie feels like a slaughterhouse seen from the matériel's repère of view" wrote Bilge Ebiri in his review for Vulture, remarking nous-mêmes the cinéma's tendency to elicit strong reactions and emotions from année auditoire by putting together what he described as a "captivating and terrifying" jigsaw Matraque of Monroe's life.[86] Anthony Lane, in his review cognition The New Yorker, praised en même temps que Armas' prouesse and Dominik's visual conformation, ravissant heavily criticized his portrayal of Monroe, ultimately concluding: "Bedazzling, overlong, and unjust, Blonde ut a tragique disservice to the woman whom Hailey Holiday it purports to honor.
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